I will be offering a 60% + discount on the following paintings this weekend, at the Sanitas @Linnaeus Art Attack. Crisimoose Special! 2 days only. Besides myself, there will be a bunch of local artists there, so do pop in and catch a bargain. On sale: Tree: Look up, About the hair 1 & 2 and The good shepherd hair Saloon.
Researching history as the starting point to my current *big* project keeps sending me down rabbit holes that can take me days to emerge from. What to do with all this information!? I keep reminding myself, at the core of it all is people; my primary obsession. How hard can it be? RIGHT? On that note, have you checked out my side project? (sadly neglected when hermit working) Based on the "Humans of New York" phenomena. PS: I'm always happy to share any great Gaborone moments you catch yourself, share your pics to this page and I will gladly feature them:https://www.facebook.com/humans.of.gaborone
I have spoken about this before, the subject of receiving feedback on your work as an artist. It comes in many forms and flavors and can a result in a myriad of feelings about your self and your own work. I have been confused, devastated, irritated, pleased, flattered, amused and more, of course, from all of those moments the best result is some sort of growth and the worst a wound needing licking for way too long.
But every now and then someone takes the time to have a whole conversation about how they see your work, why and what they feel about it; be it good or bad, that guarantees the outcome of growth and the experience of gratitude, one of the best feelings in the world.
Yesterday I received this message, of the best feedback I have ever been given. I hope they don't mind my sharing it.
I admire your work. Your technique is mature and sure and you capture a message in every face and in this case, in the pose and drape of the body.
Your water colours set a professional standard and some of the works we have seen on many exhibitions in Botswana cannot compare. This remains a very illusive technique and many paintings are lost because of overwork. Yours are "clean" and the beautiful harmony of painted and unpainted surface, used to emphasize the mood or expression, is never compromised.
I know this is acrylic and I thoroughly enjoy the pose of his lanky body and the contrast between this well clothed body, the rich texture of his suit, and the sparse setting of the room and him sitting on a building block. It does not matter that he is a celebrity as the picture is more than the person.
I write this as I have the perception that artists, like in all arts, appreciate why people enjoy their work. It will be sad if they buy it just because they can. I travel every year just to visit one or other exhibition. I love it. Realism and portraits are making a huge come back in Europe except perhaps in Germany. But with some tweaks, or what will be the point of growth.
Hopefully, we will in time acquire one of your water colours. We will take good care of Juju boy.
Painter and Sculptor